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History of multitrack recordingSound recording copyright symbolTrackStereoDigital-to-analog converterStereo imagingDelta-sigma modulationOptical disc authoringTime-division multiplexingAnalog signal processingDolby noise-reduction systemGoniometerDolby srDigital televisionBurnt-in timecodeAudio signalDvd recorderLine levelSurround soundMovietone sound systemBlu-ray disc recordableGroup delay and phase delayOn-screen displayLoudspeaker time alignmentClock recoveryOverdubbingAudio mixingDigital recordingAudio descriptionAudio-to-video synchronizationLaserdisc playerMultitrack recordingEye patternAnalog-to-digital converterClosed captioningAnalog recordingReconstruction filterSymbol rateReel-to-reel audio tape recordingEight-to-fourteen modulationTime-to-digital converterSound-on-filmDensityDirect metal masteringDirect digital synthesisAmplitude and phase-shift keyingFrame synchronizationMatrix decoderAzimuth recordingSound recording and reproductionOptical discAudio crossoverStandard-dynamic-range videoReel-to-reel tapeQuadraphonic soundCoaxial cableDbfsOptical heterodyne detectionAudio masteringL cutElectronic instrument clusterDolby 3dOptical disc driveDigital storage oscilloscopeEffective number of bitsSecond audio programOscilloscopeAnalog delay lineDigital television adapterAtsc tunerHyperbolic navigation systemComponent videoDialRotary encoderDot pitchOrthogonal time frequency spaceDisk read-and-write headSound chipDirection findingD-subminiatureGapless playbackSpatial multiplexingPhonograph recordStereo displayBroadcast television systemsClock signalMagnetic tapeCountries using dab/dmbFrequency-division multiplexingTelerecordingDigital television transitionTape recorderSynchronous optical networkingClock faceFrequency-shift keyingAmbiophonicsTuned radio frequency receiverStem mixing and masteringCrossfaderShingled magnetic recording