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Audio codecHistory of multitrack recordingDolby pro logicAudio signalDolby digital plusAnalog recordingSub-band codingBinary decoderAudio signal processingAudio mixingParallel processingSound chipDigital-to-analog converterDts-hd master audioDelta-sigma modulationAudio bit depthDifferential codingParallel compressionDynamic range compressionNoise shapingStem mixing and masteringAudio coding formatFilter bankNicamMpeg-1 audio layer iiTranscodingData compressionSingle-sideband modulationPriority encoderAnalog signal processingPulse-amplitude modulationCodecDelta modulationLinear predictive codingMultiplexingCompandingFrequency-division multiplexingAmplitude and phase-shift keyingDigital down converterMultitrack recordingAutomatic double trackingSecond audio programMaster quality authenticatedLatencyDolby truehdTransform codingMimoAudio interchange file formatAnalog-to-digital converterMacroblockMotion jpegMatrix representationSpeaker diarisationSound recording and reproductionFrequency-hopping spread spectrumAac-ldDigital signal processingHigh-resolution audioAmplitude modulationChirp spread spectrumProgrammable sound generatorDirect-sequence spread spectrumMpeg-h 3d audioAddress decoderBinary multiplierGroup coded recordingInterlaced videoDifferential manchester encodingMadiComposite videoDolby noise-reduction systemBitcrusherAdaptive multi-rate widebandDigital televisionCompact disc digital audioDirect digital synthesisParallel communicationDelta encodingAdaptive huffman codingPulse-width modulationAmd trueaudioRadio data systemDolby digitalAdaptive multi-rate audio codecPhase vocoderMpeg-1 audio layer iPulse-position modulationModulationSound cardComparison of video codecsTime-division multiplexingPhase-shift keyingSpatial anti-aliasingData streamDna digital data storageAudio interfaceSuccessive-approximation adcIn-band on-channelOverdubbingDifferential pulse-code modulation