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Lossless compressionHistory of multitrack recordingMultitrack recordingOverdubbingAnalog recordingLive loopingStem mixing and masteringAudio mixingSound recording and reproductionStreaming mediaHigh-resolution audioAutomatic double trackingParallel compressionTime shiftingDirect digital synthesisMusic visualizationInterlaced videoAudio interchange file formatCompact disc digital audioAudio commentaryAudio-to-video synchronizationMidi beat clockDts-hd master audioTranscodingDolby digital plusDisk mirroringLinear timecodeMusic technologyTimecodeQuantizationRun-length encodingDynamic range compressionMatrix decoderPregapData synchronizationApple lossless audio codecAudio signalClock recoveryDolby truehdDolby pro logicHigh definition compatible digitalNicamSimulcastProgressive scanClonecdResolution independencePlesiochronous systemSpeaker diarisationElectronic musicAudio watermarkLinear tape file systemMusic downloadTemporal anti-aliasingComputer musicAsynchronous communicationMidi timecodeMaster quality authenticatedAnalog signal processingDigital audio workstationDubbingConcurrent computingComparison of online music lockersComputer multitaskingTime-division multiplexingData stripingPerpendicular recordingTrackLatencyMusic sequencerMpeg-1 audio layer iiMpeg transport streamRiaa equalizationAudio codecIso base media file formatAudio interfaceRadio broadcastingRemasterPunch in/outScriptio continuaSequential algorithmAdaptive equalizerAudio stream input/outputLoopbackPre-echoAutomatic content recognitionCooperative multitaskingDigital distributionAdaptive musicAudio random accessIncremental backupDifferential backupPitch detection algorithmPhase vocoderMastering engineerCompact disc manufacturingAdatReproducible buildsInterleavingMix-minusOpen sound control